Sept 25-29, 2019
Announcements every few weeks
Daniel Avery, UK
“Electronic music is unique in that, whilst it has an immediate effect on the body, the culture surrounding it has the ability to run deep into your life. Whenever I’m in a club, I want to give myself up to music. This is the very thing that excites me the most. Witnessing a DJ create an atmosphere in a room from the ground up takes patience and effort from everyone present but when the pivotal moments hit, your watch stops ticking.”
It is this thinking which motivated and inspired the making of Daniel Avery’s entry into the treasured DJ-Kicks series. Across its 78 minutes, the mix creates a hypnotic space focusing on “music by some like-minded souls” from the outer reaches of techno. It is a mix concerned with the idea of taking a collective breath and allowing records their own space.
In 2018, Daniel Avery released ‘Song for Alpha.’ Nearly a year on from its release, it continues to deepen in influence with a series of remixes from some of the most vital names in house and techno, each providing their own unique take on Avery’s sonic landscape
Midland is a DJ, Producer and Record label owner from London.
Through his productions, DJ sets and record labels, Midland’s output comes across as unassuming and surprising in equal measure, at once subtle, refined and totally raucous.
Momoko “Moko” Goto, better known in the DJ world as Powder, has successfully taken her neon charged creations out of the Tokyo underground and into the discerning worldwide techno consuming public. After her debut on Lovefingers’ ESP Institute, Moko’s cosmic rhythms found a home on Samo DJ’s Born Free & Discodromo’s CockTail d’Amore Music, pushing her tribal-inspired, hypnotic sound further into surreal house, techno and psychedelic disco territory. Beyond her work as a music creator, Powder’s DJing backs up her production style with many influences. As a selector, she has notably eclectic tastes, which run the gamut from house to no wave to Japanese synthpop, utilizing extended loops and subtle blends to create a genre-defying, transcendent experience. Powder is on many promoters shortlists, and Aftermarket has been anxiously anticipating her DC premier since the last beat of her mesmerizing Sustain-Release Year Four (2017) set.
One half of ESP Insitute’s Cos/Mes duo, the Japanese producer has been on the DJ circuit for just about a decade. With musical roots in hip hop and rnb, 5ive has collaborated frequently with Stockholm’s Samo DJ for releases on Public Possession and The Trilogy Tapes.
Josey Rebelle, UK
Heavyweight selection first and foremost. Coupled with the skills to seamlessly join the dots between house, techno, disco and more, it’s a formula that has seen Josey Rebelle gain a solid reputation both in her native London and across the world. As well as DJing at clubs and festivals across the UK and internationally, Josey is a regular at some of the UK’s most respected nights – including Boiler Room (having played at the very first official broadcast back in 2010), Nonsense and Deviation. She has graced the line ups of clubs such as London’s legendary Plastic People (where she held down various residencies), Fabric (London), Panorama Bar (Berlin), De School (Amsterdam), Djoon (Paris) and Nitsa (Barcelona), alongside festivals including Dimensions, Outlook and Bestival. With a Resident Advisor mix under her belt in February 2016, Josey has also had mixes aired on BBC Radio 1 and seen several of her mixes and streamed DJ sets selected for annual ‘best of’ lists compiled by the likes of Boiler Room, Fact and Complex. Her Dimensions Festival 2016 set in The Moat was selected as one of Resident Advisor’s top 5 key performance across the entire five-day festival, joining the ranks of Ben Klock, Massive Attack, Mr. Fingers Live, and Mala. While her club sets center around house, techno and disco sounds, old and new, Josey demonstrates the full spectrum of her musical knowledge on her shows every Sunday on Rinse FM, one of the UK’s leading underground radio stations which she has been on since 2011.
Dr Rubinstein, DE
Marina Rubinstein loves to DJ, but even when she’s perched in the booth, weaving together a invigorating assortment of hypnotic acid, ’90s rave and pumping techno, her mind is on the dancefloor. After all, it was on the dancefloor that this Russian-born, Israeli-reared artist fell in love with techno in the first place. Long before she started playing records and adopted the Dr. Rubinstein moniker, she was a self-declared “true raver” in Tel Aviv, and it was during those long nights of partying that she eventually came to see dancing as a kind of meditation. “When the music is right,” she explains, “you can free your mind and just dance without thinking of anything. For me, it’s the best feeling in life, something that brings absolute happiness.”
KiNK has become one of house music’s most in-demand producers and remixers: his tracks easily stand out in any club night and they are second to none in the most competitive environment electronic music has ever seen. His abilities in finding the ‘sweet spot’ of new machines and even of sounds considered ‘classic’ and to reshape them into totally different beasts would be totally enough to justify the phenomenon. Yet this barely touches the surface of the story.
KiNK’s live sets hold the key to understanding how he creates unparalleled enthusiasm on stage and through his studio output. By now, a guy with a laptop has become the most common sight in a club. Yet the visual discrepancy between the dynamics of sound and the statics of a mouse click has driven most ambitious live acts to sideshow tricks: visuals, LED screens, compensatory dancing – smoke and mirrors. By contrast, KiNK’s live sets simply take the hood off – strictly in terms of sound. A small set up of machines and controllers is all there is, but every knob turned produces an audible result. Often he will pass a machine to the audience and incorporate their input in real-time. This happens at mind-boggling speed. Hyperactive, yet holding down grooves to kill for. KiNK’s ability to nail smash beats on the fly, well visibly and audibly, that most people couldn’t program in weeks of studio work – this ‘credibility of sound’ right where it matters is what sparks the love everywhere he visits.
Toronto’s Peach is most frequently found on the internet radio waves, and in various raves. Now based in London, where she hosts her monthly NTS Radio show, you can find her on line-ups with leading artists such as Pearson Sound, Objekt, Call Super or Shanti Celeste, or bouncing around the dance floor. Her sets are creative, coherently traversing several genres. She deftly constructs elevating narratives with energy, dynamism and passion. This vibrancy is captured on her debut track, “Silky”, a fast-paced, melodic cut which was released on Intergraded – a new imprint for emerging artists launched by Midland.
The Upbeats, NZ
Hailing from Wellington, New Zealand, Terror Snake, and Downie Wolf are The Upbeats, one of the most legendary production/DJ teams to emerge out the fertile New Zealand drum and bass scene. From playing ironic bootleg mash-ups at a tiny rock bar to owning and operating their own record label, Non Vogue, this substantially more motivated “Wayne and Garth” of the drum and bass world are genuine innovators; in more ways than one.
With a decade of experience in the music game, they have released three critically lauded albums (with a fourth in the works) and countless singles on some of the most respected drum and bass record labels in the world. Known for their skills at constructing both digital pub rock anthems for the club and genuinely emotional home listening material – their musicality has seen them collaborate with or remix for the likes of Ed Rush and Optical, Noisia, Bad Company, Hive, Gridlock, Bulletproof, TREi, State of Mind, Shapeshifter and MSTRKRFT. Along the way, they’ve performed extensively across New Zealand, Australia, North America, Europe and the UK building a loyal audience worldwide.